
After two intense months, I completed my animated film, a project that reflects both my background in communication design and my evolving approach to animation. Animation has always been central to my creative practice, and during my master’s graduation project at Central Saint Martins in London, I worked entirely with traditional animation. That experience shaped the way I think about movement, storytelling, and visual consistency.
For this animated film, I illustrated all the characters myself, preserving a cohesive visual identity throughout the project. Some of the backgrounds and selected images were developed with the support of AI tools, while Pollo AI helped speed up certain stages of the animation process. Using AI in animation did not replace my creative role; instead, it functioned as a production tool that allowed me to focus more deeply on narrative and emotional rhythm.
Working with AI for animation requires planning, experimentation, and precision. Writing effective prompts takes time, and achieving consistent results often involves trial and error. Without a clear creative direction or access to advanced tools, experimentation can quickly become limited. AI simplifies parts of the technical workflow, but it does not eliminate creative responsibility.
The core message of this film is that dreams take flight through persistence, imagination, and intention. While AI can assist in the animation process, human creativity remains essential. Character continuity, visual coherence, and emotional authenticity still require manual correction and artistic judgment, especially in animated storytelling.
The film will be released on my social platforms on December 25th, and it represents an important step in my journey as an animator. This project confirmed my desire to continue working in animation for advertising and visual communication. As dreams take flight, I look forward to creating new animated projects that combine traditional animation techniques with emerging technologies to tell meaningful stories.
